Restored Copy of the Film Red Boogie by Director Karpo Godina
The third symposium, East/West: Borders Through Film and History, which explores life along the Slovenian-Italian border through moving images, delivered an exceptional film experience on May 7 at 8:30 p.m. in the House of Film in Gorica. A freshly restored copy of the film Red Boogie by director Karp Godina from 1982 was shown, with the director himself joining us for the occasion.
Set in the aftermath of the Second World War, during the implementation of the socialist five-year plan, the film follows a radio station's decision to dispatch a group of young musicians to various work brigades, agricultural cooperatives, and construction sites to boost morale. However, as they attempt to entertain the masses with their music, the young musicians find themselves in an unexpected predicament: they must undergo re-education to align with the ideals of conscious youth, as their jazz and boogie music is deemed imperialistic. Leading the group is Maks, a seasoned heartbreaker whose future hinges on the success of the tour.
The film takes viewers on a journey aboard a rickety bus, unraveling the tragicomic interplay between art, politics, and daily life in post-war society. The restoration of the film was coordinated by the Slovenian Cinematheque in collaboration with the Slovenian Film Archive at the Archives of the Republic of Slovenia and the Slovenian Film Center.
An outstanding aspect of this event is that the film's creator was awarded the Darko Bratina Award in 2012 at the cross-border film festival Tribute to a Vision. He was recognized for the integrity of his original work as a director and director of photography, as well as for his pedagogical contributions to training new generations of filmmakers. His body of work is characterized by stylistic subtlety and daring experimentation, consistently emphasizing the interconnectedness of poetic and political dimensions, while simultaneously expressing both ironic detachment and genuine compassion for individuals in a multicultural environment.
Both the film Red Boogie and Karpo Godina's entire oeuvre represent significant contributions to the cultivation of critical and philanthropic consciousness, advocating for the advancement of a free and pluralistic society within both the Yugoslav cinematic landscape and Slovenian film.
On May 23, 2024, the Slovenian Cinematheque will showcase an exhibition titled "Karpo Godina: The Film Imaginary," which will run until December 22. They remarked, "Karpo Godina is a surprisingly aesthetically perfect artist, always subversive but never cynical, witty and consistently curious as a humanist, a master craftsman, and a man dedicated to exploring and appreciating the world around him. The exhibition encapsulates all of these facets, meticulously framed through the lens of the camera within the confines of the static frame."
Announcements/
Flashbacks from the Third Symposium at the House of Film 2024
16. 05. 2024Between May 6 and 8, 2024, the 3rd symposium East/West: Borders Through Film and History took place at the House of Film in Gorica. In this edition, a diverse array of lecturers and authors focused on the significance of local film cultures and cross-border film practices, as well as the role of cross-border television co-created by Radiotelevizija Slovenija and Rai Friuli-Venezia Giulia.
Open borders project
11. 04. 2024By examining the development of cross-border cooperation from the end of the Second World War to the present day, the Open Borders scientific project focuses on the reconsideration of European history during the Cold War. The ultimate goal of the project is to challenge the established vision of two separate Europes, "East" and "West", from a new perspective.
Technical report on the digitalization of the Aljoša Žerjal fund "No to bilingualism"
11. 04. 2024The corpus contained in the famous box called "No to bilingualism" is placed in the wider context of the rich amateur film production of Aljoša Žerjal. Digitization of the remaining parts of the collection in the future would be extremely beneficial for further understanding of the footage that was processed at this stage. In fact, much remains to be discovered in order to be able to answer all the questions that arise regarding this corpus and to be able to understand the purpose for which this material was actually recorded.